Signal Pressure I brings cyan, magenta, yellow, black and white into a compressed visual system where colour behaves as force. Translucent planes overlap, dark structures interrupt, and the central pale field carries the pressure of the entire image.

The work is immediate in colour but slower in structure. Its brightest regions pull forward, while darker bands redirect the eye and prevent the composition from settling too easily.

It is a resolved image that still retains the charge of becoming.